SURREALİST BUNUEL CINEMA IN THE CONTEXT OF CINEMA AND PICTURE RELATIONSHIP EXAMPLE FILM: ONE ANDALUSİAN DOG
SİNEMA VE RESİM İLİŞKİSİ BAĞLAMINDA SÜRREALİST BUNUEL SİNEMASI ÖRNEK FİLM: BİR ENDÜLÜS KÖPEĞİ

Author : Ufuk UĞUR -- Elif ÇANĞA
Number of pages : 470-500

Abstract

The interactions of the art branches continue from day to day. This interaction is gradually transformed into a structure where the arts intertwine with each other. The arts imitates, implements, or interprets the formal and contextual features of previous arts branches, taking them in technical and theoretical contexts, which they have adapted to their own structures and tongues. Today, cinema culture has been adopted by every segment of society. The distinguishing feature of cinema from other branches of art is that it allows different artistic disciplines to pass through the strait of their own artistic structure and offer different experiences to the viewer. Therefore, thanks to its image and chestnut-like structure, it intersects and separates with other art branches. No doubt one of the companions of the cinematographer is the picture. The cooperation between the picture and the cinema, which first leads to photography and then to the aesthetic frame for the cinema, continues by presenting different experiences from the past. Undoubtedly, Luis Bunuel, who interprets these two films in the cinematic context of surrealism, has become one of the best directors of this collaboration on the white background.

Keywords

Surrealism, Dali, Bunuel, Cinema.

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