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Abstract


PROMINENT REGIONAL BAGLAMA PLAYING STYLES IN THE COMPOSITIONS OF ORHAN GENCEBAY
Orhan Gencebay has a crucial place in the Turkish music culture. Gencebay stands out among other artists in his genre with his knowledge about composing, voice/saz interpretation and arranger. Although Gencebay is usually mentioned with the music genre called as arabesque, he has an important place in terms of instrumental music since he is stick to Turkish music dynamics and he expansively includes instrumental music -with the perception of his original musical synthesis- in his compositions. This research focuses on the examination of prominent regional baglama playing styles in the compositions of Orhan Gencebay. In the research it was determined that three different regional baglama playing styles which are common on a national scale are used masterfully in the compositions of Gencebay and these regional baglama playing styles were recorded in TFM (Turkish Folk Music) repertoire by playing them and compared with other folk songs which include regional baglama playing styles. In accordance with the regional baglama playing styles he includes/performs in his compositions, it was concluded in the research that Gencebay possesses thematic playing styles in baglama, benefits from TFM sources extensively in his compositions, presents new working areas to the performers since he blends both traditional and specific techniques in the performance of baglama.

Keywords
Orhan GENCEBAY, Bağlama, Regional Bağlama Playing Styles.


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