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Abstract


THE ROLE OF SARISÖZEN IN TURKISH FOLK MUSIC TERMINOLOGY
The term science (terminology), which is defined as the terms used in all terms related to a field, is a field that needs to be discussed for the formation and continuity of qualified and comprehensible studies. The Turkish Folk Music (TFM) terminology, which is the backbone of the lay terminology, is, of course, a field that is expected to be discussed for this purpose but unfortunately due to the negligence of the questions to be answered. In order to answer the questions, it is necessary to determine the situation in which and how the terminology of TFM is formed and who is involved in the process. At that period when the shaping of the new Republic of Turkey's cultural policy, The terminology used by Muzaffer Sarısözen (1899-1963), who can be described as the beginning of a new era in TFM, and hence life history TFM can describe (1899-1963), is obviously very important because of his compiler-archivist, teacher, conductor, researcher and producer-publisher identities are important in terms of its contribution to the TFM repertoire, students, vocal performers, music science and Turkish public. At this point, by using the terminology used in Sarısözen's meticulousness and precision studies; how did he convey the diversity that emerges from the geographical difference into the written language? How did he use the language to meet this diversity? Is he going to produce new terms?, Therefore, what is the role of Sarısözen in the process of forming the TFM terminology? while looking for answers to the questions, we will provide an overview of the terminology of TFM that we are using today through the terminology used by Sarısözen.

Keywords
TFM Terminology, Terminology Formation Process, Lay Terminology, Muzaffer Sarısözen.


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