Author :
Abstract
Keywords
Abstract
Minimalist terimi genellikle konuşma dilinde herhangi bir şeyin kendi mutlak temellerine doğru sadeleşmesi veya soyutlanmış olduğunu belirtmek ya da önermek için kullanılır. Köklerini gördüklerini anlatmak isteyen bir sanat eleştirmeninde bulur, ancak,Samuel Beckett gibi yazarların oyunları ,Robert Bresson gibi direktörlerin filmleri ( Raymond Carver'in anlatıları),besteci Philipp Glass'ın sade müzik eserleri( (Sol LeWitt'in sanat enstalasyonları),Alman Bauhaus sanat hareketi, ve hatta Colin Chapman tarafından tasarlanan arabalar ve John Carroll'un eğitim ilkeleri gibi farklı türleri tanımlamak için de kullanılır. Bu makale, kavramın neden anlaşılmasının sadece gerekli değil aynı zamanda yararlı olduğunu da değerlendirmektedir. Minimalizm ilkesi, daha farklı bir indirgeme anlayışını destekleyen kullanışlı bir teorik araç olarak önerilmiştir ve böylece sadeliği çeşitli yönleriyle tanımlamaya izin veren bir bakış açısı sunmaktadır. The term Minimalist is often applied colloquially to designate or suggest anything which is spare or stripped to its absolute essentials. It has its origins with an art critic seeking to describe what he saw, but has also been used to describe such diverse genres as plays by authors such as Samuel Beckett, films by director Robert Bresson (the narratives of Raymond Carver), the simple musical works of composer Philip Glass (the art installations of Sol LeWitt), the German Bauhaus art movement and even the cars designed by Colin Chapman and the educational principles of John Carroll among others. This paper considers why understanding of the concept is not only necessary but also useful. The principle of Minimalism is proposed as being a useful theoretical tool which supports a more differentiated understanding of reduction, and thus creates a standpoint that allows the definition of simplicity in its various aspects
Keywords
- Alburger M (1996). Minimalism, Multiculturalism, and the Quest for Legitimacy.” Ph.D. dissertation, Claremont University.
- Art History: Minimalism (1960-1975). Worldwide Art Resources, http://wwar.com/masters/movements/Minimalism.html.
- Burkholder JP, Donald JG, Claude VP (2006). A History of Western Music. 7th ed. New York:
- Carroll JM (1990). The Nurnberg Funnel. Cambridge, MA: MIT Press.
- Carroll JM (1998). Minimalism beyond the Nurnberg Funnel. Cambridge, MA: MIT Press.
- Chilvers I (1999). Expressionism. A Dictionary of Twentieth-Century Art. Oxford University Press, ISBN: 978-0738200613.
- Chomsky N (1968). The formal nature of language. In Chomsky N (Ed). Language and Mind, Harcourt Brace Jovanovich.
- Chomsky N (1995). The Minimalist Program. Cambridge, Mass: The 12 J. Studio Fine Art MIT Press.
- Cornell T (1997). A type-logical perspective on minimalist derivations. Formal Grammar 1997, Aix-en-Provence, France. http://panza.sfs.nphil.uni-tuebingen.de/~cornell.
- Gann K (1998). A forest from the seeds of Minimalism. http://home.earthlink.net/~kgann/postMinimalism.html.
- Henning G (1999). Nothingness: The Science Of Empty Space. Helix Books, ISBN: 78- 0738200613.
- Hess Eva, Accession II (2000). Depicted on quoted on „Minimalism (with reference to artist‟s statements). http://website.lineone.net/~alanhiggs/Minimalism.htm.
- Judd D (2009). Stangos quoted on „Minimalism (with reference to artist‟s statements), p. 252. http://website.lineone.net/~alanhiggs/Minimalism.htm.
- Kyle G (1998). Minimalism: “An Essay on Postminimal and Totalist Music.” Written for the program of a 1998 Minimalism Festival of the Berliner Gesellschaft fur Neue Musik.
- Obendorf H (2009). Minimalism: Designing Simplicity, pp. 10-40, ISBN: 9781848823709.
- Phillips (2000). Sense and Simplicity Campaign. http://www.youtube.com/watch?v=6M1jS8BWIuE.
- Rose B (1965). ABC Art. Art in America, ISBN: 8254701741.
- Smith D (2008). The Gargosian Gallery. http://www.gagosian.com/artists/david- smith/?gclid=CLuriGb9aQCFQHS4wodpg00gg.
- Strickland E (2000). Minimalism – Origins. Indiana University Press, pp. 245-253.
