DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART DADAİZM SANAT ANLAYIŞINDA ATIK NESNE VE HAZIR NESNE KULLANIMININ GÜNÜMÜZ SANATINA YANSIMALARI
Dada came to being in a milieu of rapid change, destruction and hardship, following the First World War It started in a club named Cabaret Voltaire by H. Ball during 1915 and 1916. Dada accuses the artists for being a part of this system and refuses them. Its tendencies are mainly destructive towards art and it unleashes this destruction without feeling a necessity to replace the concepts it destroys with anything new or constructive. Artists who are a part of this movement, Dadaists, value the subconscious, associations, coincidences, and other things refusing reason or dogmas. Thus Dada is considered a step in the evolution of modern thought. Although the first appearances of new material are seen with collage in cubism, the ready-made which comes in to scene with Dada defines a new conceptual meaning for everyday objects used in art. The most prominent of this new representation of everyday objects are Duchamp’s ready-mades which keeps the objects form as is but transforming its core concept, stripping its initial purpose and giving it a new one. For many Dada paved a new way for a different art and world view with its unique critique of the social and cultural environment enveloped the World and inspired many for years to come.
@article{2016,title={DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART},abstractNode={Dada came to being in a milieu of rapid change, destruction and hardship, following the First World War It started in a club named Cabaret Voltaire by H. Ball during 1915 and 1916. Dada accuses the artists for being a part of this system and refuses them. Its tendencies are mainly destructive towards art and it unleashes this destruction without feeling a necessity to replace the concepts it destroys with anything new or constructive. Artists who are a part of this movement, Dadaists, value the subconscious, associations, coincidences, and other things refusing reason or dogmas. Thus Dada is considered a step in the evolution of modern thought. Although the first appearances of new material are seen with collage in cubism, the ready-made which comes in to scene with Dada defines a new conceptual meaning for everyday objects used in art. The most prominent of this new representation of everyday objects are Duchamp’s ready-mades which keeps the objects form as is but transforming its core concept, stripping its initial purpose and giving it a new one. For many Dada paved a new way for a different art and world view with its unique critique of the social and cultural environment enveloped the World and inspired many for years to come.},author={Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY},year={2016},journal={The Journal of Social Sciences}}
Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY . 2016 . DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART . The Journal of Social Sciences.DOI:10.16990/SOBIDER.151
Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY.(2016).DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART.The Journal of Social Sciences
Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY,"DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART" , The Journal of Social Sciences (2016)
Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY . 2016 . DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART . The Journal of Social Sciences . 2016. DOI:10.16990/SOBIDER.151
Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY .DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART. The Journal of Social Sciences (2016)
Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY .DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART. The Journal of Social Sciences (2016)
Format:
Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY. (2016) .DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART The Journal of Social Sciences
Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY . DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART . The Journal of Social Sciences . 2016 doi:10.16990/SOBIDER.151
Bahar ARTAN OSKAY-- Bahar ARTAN OSKAY."DADAISM ART; THE USAGE OF THE READY MADE AND WASTE OBJECT AND THEIR REFLECTIONS ON THE CONTEMPORARY ART",The Journal of Social Sciences(2016)