@article{2018,title={SINISTER OBJECTS AND SYMBOLIC / PICTURESQUE SOLUTIONS IN HTICHCOCK’S CINEMA},abstractNode={Alfred Hitchcock is one of the great masters who pursue the picturesque. Hitchcock peculiarly symbolizes images and expressions in his films with spots. Labyrinths, spinning stairs (Vertigo); a key hole in the eye of the voyeur, a bathtub where the blood vanished at the end of the turn (Psycho) ... Analized that Hitchcock's camera the mirror, key-like objects, psychoanalysts such as Lacan and Freud. Hitchcock has become one of the leading directors who make full use of Freudian objects. For example, in Spellbound, he psychoanalysis involves Dali's paintings and surrealism with dream scenes and analysis. Hitchcock, symbolism, surrealism, hipper-realism in Edward Hopper's desolate motels; and interprets a new dill in the images of abstract art. Hitchcock's literature, painting; philosophy, psychoanalysis and interaction with science will be examined. In this study, the aim of the director is painting art; psychiatry and literature. It will be taken into consideration that the director drawing the picture with the help of the camera will be analyzed through Spellbound, Vertigo, Psycho and Rear Window films, reference painters and pictures with an important place in the picture history. Selected scenes from Hitchcock's films will be used in conjunction with the images associated with the visual analysis method will be adopted.},author={Cumhur Okay ÖZGÖR},year={2018},journal={The Journal of Social Sciences}}