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LÜTFİ ÖMER AKAD’IN VESİKALI YARİM’İNDE KURGU̇, 281-296
EDITING IN LÜTFİ ÖMER AKAD’S MY PROSTITUTE LOVE
http://dx.doi.org/10.29228/SOBIDER.81507
Öymen ULUSOY
Abstract
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BELA TARR SİNEMASINDA PLAN SEKANS KULLANIMİ, 307-321
USE OF PLAN SEQUENCES IN BELA TARR CINEMA
http://dx.doi.org/10.29228/SOBIDER.76640
Öymen ULUSOY -
Abstract
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