The artist, who came to the world in 1987, continued to the Julian Academy until 1905 and had the chance to produce art in the artistic environment of the late 19th and early 20th centuries, during which the most moving and fastest changes / transformations occurred throughout the history of art. This period, in which everything about life is questioned, strikes as a period when the intellectual and intense debates and productions of the art scene are in the process. Rapidly developing technologies reveal a shell change in continental Europe that can not be traditionally compared in the form of artistic forms of art that change boundaries and change the form of management, and all that changes in parallel. At this point, names that can be described as special, form break points in art history. Among them, Duchamp, which Octavio Paz describes as a unique artist, has a very different place with his artistic ideas about art and the art forms which he has made parallel to them, as well as the temptation of production and the rhetoric of avoiding doing things.
@article{2018,title={MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART},abstractNode={The artist, who came to the world in 1987, continued to the Julian Academy until 1905 and had the chance to produce art in the artistic environment of the late 19th and early 20th centuries, during which the most moving and fastest changes / transformations occurred throughout the history of art. This period, in which everything about life is questioned, strikes as a period when the intellectual and intense debates and productions of the art scene are in the process. Rapidly developing technologies reveal a shell change in continental Europe that can not be traditionally compared in the form of artistic forms of art that change boundaries and change the form of management, and all that changes in parallel. At this point, names that can be described as special, form break points in art history. Among them, Duchamp, which Octavio Paz describes as a unique artist, has a very different place with his artistic ideas about art and the art forms which he has made parallel to them, as well as the temptation of production and the rhetoric of avoiding doing things.},author={Muhammet Tatar},year={2018},journal={The Journal of Social Sciences}}
Muhammet Tatar . 2018 . MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART . The Journal of Social Sciences.DOI:10.16990/SOBIDER.4113
Muhammet Tatar.(2018).MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART.The Journal of Social Sciences
Muhammet Tatar,"MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART" , The Journal of Social Sciences (2018)
Muhammet Tatar . 2018 . MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART . The Journal of Social Sciences . 2018. DOI:10.16990/SOBIDER.4113
Muhammet Tatar .MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART. The Journal of Social Sciences (2018)
Muhammet Tatar .MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART. The Journal of Social Sciences (2018)
Format:
Muhammet Tatar. (2018) .MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART The Journal of Social Sciences
Muhammet Tatar . MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART . The Journal of Social Sciences . 2018 doi:10.16990/SOBIDER.4113
Muhammet Tatar."MARCEL DUCHAMP’S ART AND ITS EFFECT OF 21th CENTURY ART",The Journal of Social Sciences(2018)