@article{2019,title={FROM REALTY TO FICTION THE CONCEPT OF SUBALTERN: HALİDE EDİP ADIVAR NOVELS},abstractNode={Madun, Antonio Gramsci's literature and Gayatri Chakravorty Spivak's “can the Subaltern Speak"?” so, “can the Subaltern Speak? the term “subalternus” derives from the Latin word "subalternus" (sub: sub, alternus: the other) and is used today in the context of lower-upper duality in the context of economic, political, cultural, all kinds of social structure. The concept of Subaltern literally refers to an objective position: sexual, biological structure and religious and class status. Subaltern is an identity that was created by the fact that the oppressed, otherified once was kept alive, and those who had abandoned Subaltern 's position as a sovereign, but had not abandoned Subaltern 's identity, often use it for their own benefit. Downtrodden other a time (which is dominated by location (old) the subaltern of the past, the present justification of the evil that is in doing shows. The absolute subalyternidentity does not enter into action against the “other” in the context of conscience. Because the “other” subaltern was objectified by the owner of his identity. Subaltern’s anger is not transformative, but vengeance. This results in reproducing the same dominion relationship in the context of the slave-master relationship. He draws the panorama of Turkey with his works of Halide Edip Adıvar. The fictional characters are made up of individuals who exist in a system that is magnified by society. In the paper, the characters exemplifying the truth from the fictional ground in the twenty-one (21) novel of the artist will be explained within the framework of the concept of subaltern. In the combination of art and summer aesthetics, the people who become the symbol of Adıvar at the intersection of the Turkish novel with the real and the fiction will be understood with subaltern/other/foreign concepts.},author={Emrah SEFEROĞLU},year={2019},journal={The Journal of Social Sciences}}