In this study the possible effect of modernist approach in Turkish cinema on clerical stereotyping was evaluated. In this study three different manners were analyzed in the light of historical periods and categorized the way of representation of Muslim cleric representation in media tools. The filmmakers were presented to Üç Kağıtçı in 1981, (in the following years and now in the channels), Hanımın Çiftliği 1990- (re-shown in TRT Avaz in 2008) and the Kertenkele TV series were presented to the audience at 2014-2017 ATV. In the study the narratives in cinema and TV series were examined and an evaluation was made about how the society was shaped in parallel with the change of society in a period of 40 years. While this evaluation was made, framing method was applied. An agenda is formed by those who are included according to the framing method and those who are left out, those who are selected and what is actually shown and what is actually happening. Those who were included in the analysis of the Muslim cleric in the 'Üç Kağıtçı', 'Hanımın Çiftliği' and 'Kertenkele' media productions were evaluated as a process of creating stereotypes as those left out and projected, and the following hypothesis was developed: They contribute to stereotyping production by shaping.
Religion Man, Stereotyping, TV Series, Cinema, Üç Kağıtçı, Hanımın Çiftliği, Kertenkele.
|Author :||Bayram ÇAĞLAR|
|Number of pages:||130-148|