@article{2020,title={PERFORMANCE ART IN THE CONTEXT OF HEDONISM},abstractNode={About “beautiful” have been developed many discourses throughout history. In the direction of aesthetic advances, the phenomenon of pleasure with the production and accumulation of knowledge is discussed. Discussions on the concepts of pleasure and aesthetics that emerged in Antiquity were discussed in the intellectual platform. These discussions continued until the Modern and Postmodern period. Today, the discussion of this issue remains warm.Although postmodernism is concerned with style and pleasure, it does not attach to rules aesthetic. This situation creates difficulties for the individual who tries to perceive the work of art. However, the aesthetical viewer with sufficient equipment includes to event within the framework of its scientific consistency. Postmodern works with more than one meaning procures to participate in the creative process receptive in a pluralistic structure. In this context, works of art contributes a different dimension to the aesthetic pleasure. Performance art is an area where works are given in Postmodern style. In this respect, the art of performance reveals many meanings in the work. In performance art, which are considered as body perception, pleasure, impulse, memory, life, place etc. corrolates between artist-receptive by incorporating into the fact of reality receptives and provides common aesthetic experience. In line with this common aesthetic experience, artist-receptive reaches aesthetic pleasure by experiencing identical situations.},author={ali ertuğrul küpeli-Muhammet Mustafa ÜNLÜ},year={2020},journal={The Journal of Social Sciences}}